PRESS RELEASE: A WORTHY MIRROR ALBUM RELEASE

For Immediate Release
October 20, 2026

ALKEMIE OPENS ITS 2026-2027 SEASON WITH “A WORTHY MIRROR” ALBUM RELEASE CONCERTS

Medieval music ensemble Alkemie, alongside cellist Amanda Gookin present A Worthy Mirror, an project that gives Lady troubadours get an album release. Finally.

Key Takeaways: 

  • Each of the 8 new works on A Worthy Mirror responds to one of the 36 extant trobairitz texts and are composed by women and non-binary composers for medieval instrumentation.

  • Featuring Amanda Gookin of the Forward Music Project on cello

  • Composers showcased on the album include Gelsey Bell, Maya Bennardo, Hai-Ting Chinn, Tis Kaoru Zamler-Carhart, Raquel Acevedo Klein, LI Qi, Niccolo Seligmann, and Patricia van Ness.

  • Performances at a Brooklyn speakeasy as well as a church in Manhattan

NOVEMBER 5 and 6, 2026

A Worthy Mirror Album Release Concert

Thursday, November 5, cocktail hour 7pm, concert 8pm
Location: Urbane Arts Club
1016 Beverley Rd, Brooklyn NY 11218

A Worthy Mirror Album Release Concert

Friday, November 6 @ 7:30pm
Location: All Saints Episcopal Church
230 E 60th St, NYC 10022


PRESS FOLDER (Alkemie Bios & Press Photos)
PROJECT WEBPAGE

Alkemie opens our 13th season with album release shows for “A Worthy Mirror.” This project represents a time-traveling dialogue with the 12th-century trobairitz—the feminine counterpart of the poet-composers known as troubadours. Together with guest artist Amanda Gookin of Forward Music Project, we commissioned 8 female and non-binary composers to respond to and converse with the 36 extant trobairitz texts (of which we only have music for one). This body of lyric poetry represents a large group of historically female and anonymous femme voices in the literary tradition. Witty, ironic, heartbreaking, and erotic—these texts present a mirror to reflect upon what feels foreign about the past and what feels familiar, what is the role of gender and self in relationships, and how do we make space for the multiplicities of identity, both in the 12th century and today. 

With Tracy Cowart (voice, harps), Ben Matus (voice, recorders, dulcian, bagpipes), David McCormick (vielle), Sian Ricketts (voice, recorders, douçaines), Niccolo Seligmann (vielle, psaltery, scheitholt, viola da gamba, triangle), and Ellie Sutherland (voice, percussion) and guest artist Amanda Gookin (cello). For tickets and more information, please visit alkemie.org/whats-your-sign.

The program will be performed live in Brooklyn on November 5, 2026 at the Urbane Arts Club at 7:00 p.m.; and in Manhattan on November 6, 2026 at All Saints Episcopal Church 7:30 p.m. Both concerts will be followed by receptions with the artists. Tickets are $15-$50. For tickets and more information, please visit alkemie.org/a-worthy-mirror-album.

This album will be released on the New Focus label on November 6, 2026. Oder the album here.

Track Listing:

1. LI Qi, Domnpa

2. Patricia van Ness, Domnpa / The Lady

3. Tis Kaoru Zamler-Carhart, Ar em al freg tems vengut

4. Hai-Ting Chinn, Bels dous amics

5. Maya Bennardo, neither flower nor leaf

6. Raquel Acevedo Klein, A great fog seeping into my veins

7. Gelsey Bell, Oy Dieus

8. Niccolo Seligmann, Ben volgra midons saubes

Listen to the tracks here.

About Alkemie

Alkemie delights in exploring and celebrating the vibrant sounds of the Medieval past. Moving freely among the worlds of court, cloister, and folk music, the ensemble brings historical traditions into conversation with the present through performances grounded equally in scholarship, curiosity, and experimentation.

Alkemie’s singer-instrumentalists perform on more than two dozen instruments, including vielles (early fiddles), harps, psaltery, scheitholt (early zither), recorders, douçaines and dulcians (early double reeds), bagpipes, and percussion. Known for its “characterful playing” (The New Yorker) and “superb ensemble skills” (Limelight), Alkemie’s performance for Indianapolis Early Music Festival was applauded for “indicating [the] future health of the field of early music.”

Since 2018, Alkemie has commissioned new works for early instruments and created projects including the dream-pop, shoegaze, and psychedelic-rock album A Fine Companion, which Early Music America praised for “skillfully transform[ing] troubadour texts into dreamily contemporary journeys.”

Based in New York City, Alkemie self-presents an annual concert series and has appeared at the Amherst Early Music Festival, Arizona Early Music Society, Berkeley Early Music Festival, Brooklyn Public Library, Cambridge Society for Early Music, Five Boroughs Music Festival, the Met Cloisters, the Morgan Library, and Music Before 1800, among others. Collaboration is central to the ensemble’s work, with partners including Chanticleer, InSeries Opera, Rose of the Compass, and TENET.

About Amanda Gookin

Praised for her “expert technical work” (The Strad), cellist Amanda Gookin "pushes Classical forward" (LA Times) and champions the future of music through the creation and bold performance of new works, and a dedication to education, culture, and community engagement. 

Her initiative Forward Music Project commissions new multimedia works for solo cello that elevate stories of feminine empowerment. Her newly released album Forward Music Project 1.0 was celebrated by the NY Times as “communal joy embedded in a music of cooperation.”

Amanda was the founder and decade-long cellist of the contemporary improvising string quartet, PUBLIQuartet. In pursuit of socially-conscious programming, her GRAMMY-nominated album with PUBLIQuartet, Freedom and Faith, addressed the resilience of the female spirit throughout history.

Contact Us:

For Alkemie: 
Tracy Cowart, Co-Managing Director
Email: tracy@alkemie.org


Sian Ricketts, Co-Managing Director
Email: sian@alkemie.org

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

http://www.beauchampartistservices.com
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A WORTHY MIRROR: An Interview with Tracy Cowart and Sian Ricketts

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ELEANOR: An Interview with Niccolo Seligmann